Disney has acquired 20th Century Fox. OK, I know that Disney owning everything isn’t really good news. BUT. The end of this sentence fills my heart with so much hope:
It means Mouse House officially gets ownership of Fox’s catalog of intellectual property — James Cameron’s Avatarfranchise, The Planet of the Apes, The Simpsons, The X-Files, to name a few — as well as Marvel heroes that were previously under Fox’s corporate umbrella, including the X-Men and Fantastic Four.
I don’t know if or when or how, but please, for the love of Galactus, let Disney make a good Fantastic Four movie, fully integrated with the Marvel Cinematic Universe…!
It’s another “Fantastic Four Friday,” with a look back at Marvel Masterworks Fantastic Four Volume 4! Stan Lee and Jack Kirby are really rounding into form here, and the characters and supporting cast are becoming more and more fleshed out.
What is it? Marvel Masterworks Fantastic Four Volume 4 Who did it? Stan Lee and Jack Kirby When did it come out? 2003 (revised edition) What does it collect? Fantastic Four #31-40, Annual #2
Fantastic Four Annual #2 might just be Stan and Jack’s finest work on the series so far
Marvel Masterworks Fantastic Four Volume 4 opens with Fantastic Four Annual #2. It’s a fascinating book. It starts out with a 12 page Dr. Doom origin story in which the Fantastic Four do not appear, except for flashback cameos of Reed and Ben; goes in to a pin-up gallery; then a reprint of issue #5; then another pin-up gallery; then finally, the “feature” story, “The Final Victory of Doctor Doom.”
Let’s talk about “The Fantastic Origin of Doctor Doom.” It’s a masterpiece. This is the story where we are finally introduced to Victor Von Doom’s home country of Latveria, and his rule over it as monarch; his faithful servant Boris; his deep love of his sorcerer mother, who died when he was an infant; the tragic death of his father; the Tibetan monastery where he fashioned his armor; it’s all here. And it’s glorious. I feel confident saying that no other comic book villain had ever received an origin story like this, with such tragedy and pathos; and, it hasn’t really changed, in the 50+ years since. Amazing.
As for Doom’s “Final Victory,” it is of course not that, but it is his best master plan yet (he’s had some kooky ones) with him inviting the FF to a state dinner, turning the FF against each other, and then agreeing to an honourable battle of the minds with Reed; which Reed wins, and Doom will eventually chalk up to trickery (of course). And we are introduced to the concept of Doom’s “diplomatic immunity” for the first time.
The whole thing is brilliant. Well, except maybe for one thing…
Sue is still battling 1960s stereotypes
I should probably stop writing about this, because I suspect it’ll keep popping up in the next, oh, 8-10 volumes… but man, does it suck seeing Sue treated so poorly throughout. In Annual #2, Sue chastises Reed because of an illusion Dr. Doom plants in her head (where she sees Reed kissing another woman); after she snap out of it, she apologizes to Reed, who dismisses her by saying she’s “merely a female” and couldn’t have reacted any differently. Then he doesn’t want to let her fight Dr. Doom in the same issue. Next, the Mole Man takes her hostage in issue #31. Then you might think, hmm, maybe they’ve given up on the Sue-as-hostage trope… but no, the Frightful Four do it again in issue #38. Sigh.
Speaking of repetitive tropes, Stan and Jack sure do go back to the well a lot
“Sue gets taken hostage” isn’t the only thing that we see over and over and over… and over… again in these early issues. I know it’s easy for me to judge this now, when I’m binge-reading the book as an adult when it was really written for 11-15 year olds who were reading it at most once a month… but then again, the Lee-Kirby FFis hailed as an unending stream of creative genius. I really should’ve been keeping a tally of the amount of times:
Sue gets taken hostage (twice in this volume)
Ben turns human momentarily, only to turn back in short order (twice in this volume)
Johnny’s flame burns out, and Reed has to stretch to save him (twice in this volume)
Reed act like a jerk instead of a leader (only once in this volume; he must be mellowing)
The FF turn against one another (twice in this volume)
Enough with the Mole Man already
Issue #31 is the Mole Man’s third appearance, and each time, his plot is basically the same (cause some underground calamity that destroys something above ground), the FF go underground to fight him, defeat some monsters, then defeat the Mole Man himself. And the Mole Man is just a sad, pathetic little man, not much of a villain. I think even Stan and Jack got bored with him in this issue; he only appears in 2 panels on the final 8 pages and the FF defeat him, essentially, off-panel. Other than a cameo in Annual #3, he won’t appear again for another 57 issues!
The other villains in this volume fare much better. The Super-Skull returns in issue #32, ultimately causing the death of Franklin Storm, and sending the FF off on a revenge mission to the Skull galaxy in #37; we get Namor and Attuma (in an ultimately forgettable tale in which the FF help Namor defend his throne) in #33; Gideon, one of Stan’s classic offbeat not-really-a-villain villains (who might just be a precursor to Donald Trump; check out the man’s desk!); Diablo, and the brilliant King Kong-like Dragon Man, in issue #35; and finally, the Frightful Four, in issues #36 and #38, who very nearly defeat the FF each time and will menace them again in the next volume.
Oh, and of course, Dr. Doom returns in issues #39-40, for the all-time classic “Battle of the Baxter Building.” This two-parter is tense, fast-paced and fun (even if it has a pretty lame deus ex machina), and culminates in a Thing vs. Doom fight that is one of Jack’s highlight fight sequences.
Real character growth and progression is starting to happen
For the first time we meet a family member from outside the FF proper: Sue and Johnnny’s father, Franklin, and learn more about their backstory: their mother, Mary, was killed in a car accident; Franklin, a famed and brilliant surgeon, was driving, and blamed himself, and his career went off the rails. He got into gambling debt, and killed a loan shark who came to collect. Even though it was self-defence, he allowed himself to convicted of murder because he thought his children were better off without him. Hardly your typical super-hero origin story! Of course, Franklin is killed in this volume, but we see Ben’s fears about leaving Alicia behind, we see Johnny finally mention Dorrie Evans, his girlfriend from Strange Tales, and of course, we finally—FINALLY!—see Reed and Sue get engaged and begin wedding preparations.
This issue also ends on a true cliffhanger, as we see Ben finally succumb to the reality that he’s trapped in the body of a monster and he leaves the FF in a grief-fuelled rage.
There’s no doubt this is the best volume of the FF Masterworks to date, bookended as it is with two all-time classic Dr. Doom stories and the introduction of Dragon Man, the Frightful Four and Johnny and Sue’s father in between. Stan and Jack are truly hitting their stride, and I already know the next volume is going to reach even greater heights!
(Though one has to wonder if anything can top this:)
My Fantastic Four re-read continues with Marvel Masterworks Fantastic Four Volume 3! There are some definite ups and downs in this volume, with fun crossovers but overly wordy action scenes.
What is it? Marvel Masterworks Fantastic Four Volume 3 Who did it? Stan Lee and Jack Kirby When did it come out? 2003 (revised edition) What does it collect? The Fantastic Four #21-30 (1963-1964)
These are good issues, but creatively they suffer a bit
Around issues #25-26, Jack’s art drops off quite a bit. Faces aren’t consistent, the linework isn’t as detailed, figure poses are a bit awkward. Meanwhile, Stan’s dialogue and captions get wordier and wordier, and become a bit of a slog to read; it gets to a point where he’s often describing (or has characters themselves describe) in detail exactly what you can see in the art. Even in the middle of fight scenes! Which robs them of their intensity. But, no wonder these two titans were suffering! In the May 1964 publishing month, Jack drew FF #26, Avengers #5, X-Men #5, Journey in Mystery (Thor) #104, Sgt. Fury #7, and the Human Torch story in Strange Tales #120. Stan wrote all of those plus Amazing Spider-Man, Tales to Astonish (Ant-Man), Tales of Suspense (Iron Man), Kid Colt, Two Gun Kid and Millie the Model. It’s amazing these two didn’t burn out completely.
The “soap opera” elements continue to be highlights
At various points in this volume we see Ben and Alicia nearly break up (because neither of them thinks they’re worthy of the others’ love); Reed buy an engagement ring for Sue, only to doubt her feelings over Sub-Mariner; Sue finally choose between Reed and Namor, but still leaving Reed unsure; the team complain about Reed’s leadership; Ben and Johnny bickering; the public admire Sue as a sex symbol; Ben tussle with the Yancy Street Gang; and more. These moments really help humanize these characters, and I often find myself breezing through the action scenes, hoping to get back to more “down time” with the characters. The early Stan Lee-Steve Ditko Spider-Man issues were the same way; Stan clearly had a gift for balancing these soap opera moments with traditional comic book storytelling!
The Marvel Universe really expands in this volume
Let’s see, we get Nick Fury in issue #21, the Hulk in #25, the Avengers in #26, Dr. Strange in #27 and the X-Men in #28. Stan and Jack were fully embracing the idea that all of these characters existed in the same universe! (Of course, having the X-Men or Dr. Strange guest star in the most popular title surely couldn’t hurt sales of those books, right?) The Avengers and FF getting in each others’ way while battling the Hulk is totally goofy, but entertaining; the fight with the X-Men is a little more successful as an action set piece (although I could have done without them kidnapping Sue, which continues to happen all too often).
The Hate-Monger story is a doozy
Reading the first few pages of issue #21 is an uncomfortable experience; the hatred, racism and bigotry hits a little too close to home here in 2017. If only we could blame it all on a reincarnated Adolf Hitler and a hate ray… anyway, this story establishes that Nick Fury is still around in the then-current Marvel Universe, and that he’s working for the CIA, which is all the background needed to turn him into the director of SHIELD in a couple of years.
Stan and Jack finally give Sue more power
Presumably responding (again) to the criticism that Sue didn’t bring much to the team, Stan and Jack considerably upped her power levels in issue #22. Now, in addition to her ability to turn invisible, she can turn other people and objects invisible (though not at the same time as herself, a caveat that would fade away over time) and she can generate invisible forcefields. Naturally, she puts these abilities to use in this very issue against the Mole Man, preventing him from activating his doomsday device with a forcefield, and then protecting her teammates from a radioactive wall with another forcefield. All told this was a welcome addition to Sue’s character; no, she’s not defined by her powers, but it allows her role within the team to expand significantly. Of course, they still had her get kidnapped by Namor in #27 and the X-Men in #28. Sigh.
Although at times I found this volume a chore to read thanks to Stan’s verbosity, it was still entertaining. Now on to Volume 4, which features (among other things) the origin of Dr. Doom!
I continue my Fantastic Four re-read and review with a few thoughts on Marvel Masterworks Fantastic Four Volume 2!
What is it? Marvel Masterworks Fantastic Four Volume 2 Who did it? Stan Lee and Jack Kirby When did it come out? 2003 (revised edition) What does it collect? The Fantastic Four #11-20 and Annual #1 (1963)
Issue #13 is Stan and Jack at the height of their zaniness—and brilliance
There is so much crammed into this issue! First, you have the FF being the first humans to walk on the moon (using an experimental drive Reed just whipped up from a meteor, NBD). Then the Russians being right behind them. Oh, and not only that—the Russians deliberately flew a copycat of the FF’s first spaceflight, in the hopes of gaining similar powers! That’s a brilliant idea from Stan and Jack, co-opting the space race into a super-powers race. Hey, and did I mention the Russian crew was one man and three apes? Yep. How about the Watcher? Yes, this is the first appearance of the “man in the moon” who watches over us. There’s also the little mystery of the “blue area” of the moon—an ancient city abandoned eons ago by some spacefaring race.
I only recently caught on to the “giant, floating Dr. Doom” cover trend
On the cover of his first appearance, a giant Dr. Doom looms over the FF on a view screen. In his next two appearances he’s on equal ground with the FF, but on the cover of #16, a giant Dr. Doom looks at a miniature FF in a magnifying glass. And thus the trend is born: Dr. Doom appearing far larger than the FF, either looming over the background or dominating the foreground. Look at the covers to #23, 39, 57, 84, 86 and Annual #2—giant Dr. Doom looms over the FF in each! And that’s only during the Stan and Jack days; future artists like Rich Buckler (#144), John Buscema (#198), John Byrne (#247, 259, 278), Ron Frenz (#320), Walt Simonson (#350) and Paul Ryan (#361) would all do the same. It’s a pretty awesome through line for 30+ years of Dr. Doom appearances!
The Thing’s gradual transition from angry to grumpy to lovably grumpy is so heartwarming
I’m not sure what prompted the change from Stan and Jack, but over the course of these issues, you can really see the shift in Ben’s personality. He’s not just angry all the time anymore, and before long, he actually starts joking around, using more slang and contractions, being joyfully dismissive of the Torch instead of annoyed by the Torch… basically he’s on the road to becoming the Thing we know and love. Johnny even comments in 17 you’re turning into Bob Hope! (Storywise, although I’m not sure this was Stan and Jack’s intent, you could very easily pinpoint this change on Ben’s relationship with Alicia.) Another gradual transition: The Thing’s appearance, from one big “lumpy” rock to a hide of sharply defined rocks. Check him out on the cover to #18; that’s pretty much how Jack would go on to draw him for years.
Stan and Jack’s treatment of Sue Storm ranges from progressive to medieval
In issue #11, Stan and Jack seem to be talking directly to the readers when the FF answer fan mail from fans who don’t think Sue contributes to the team’s adventures. Reed and Ben angrily defend her and Stan and Jack illustrate her value by recalling issues #2 and #5. All seems good! But then look at this panel in the very next issue:
I mean, yikes.
Fantastic Four Annual #1 is the highlight of this volume
Issues #16 (featuring Dr. Doom and another brilliant, zany idea: The Microworld) and #18 (featuring the Super-Skrull) are both great; full of action and new characters. But it’s Annual #1 that closes this volume out, and it’s a corker: The Sub-Mariner has finally found Atlantis and reclaimed his throne; the history of Atlantis and Sub-Mariner’s origin is recounted (at the United Nations, no less!) and Atlantis declares war on the surface world. Yet even as Reed pushes back the invasion with an invention, Namor’s love of Sue Storm causes friction in his ranks, and his troops—and entire kingdom—abandon him. It’s a poignant climax that leaves you feeling pity for Namor for perhaps the first time. Meanwhile the backup story features an expanded version of the FF’s encounter with Spider-Man from Amazing Spider-Man #1; and the whole issue features pin-ups, diagrams and more. It’s truly a great package. Undoubtedly worth the 25 cents it would have cost in 1963!
Next week we’ll move into the FF’s third year with Marvel Masterworks Volume 3, featuring the team’s first meetings with the Avengers and the X-Men!
A few weeks back on one of the comic book-related sites I visit, some of the guys were discussing their favourite 1990s Marvel comics. As you may know, the 1990s were not exactly a high point for quality comics; stylized art, big guns, big shoulders and big boobs were what seemed to sell, and variant covers and special bagged issues with trading cards and other gimmicks ruled the stands. Still, I read a lot of comics, so some of them must’ve been OK… right?
I think so. Here are five 1990s Marvel comics I enjoyed from 1991-1998 when Marvel, in my mind, righted its ship. (Note—I’m only considering ongoing titles, rather than mini-series like Marvels).
Namor, the Sub-Mariner by John Byrne (1990-1992)
This series didn’t look like much when it came out. Sub-Mariner, in his own comic? Even with John Byrne at the helm, didn’t seem like Namor was really a character that could carry his own book. And maybe he couldn’t, really, since Byrne filled it with guest stars! But either way, this was and is an excellent read, and some of Byrne’s best art in the 1990s. Byrne brought a lot to the character – while he’s often known for his “back to the basics” approach, it seemed to me that here, he was firmly taking Namor into the 1990s (they even declared it on the cover!), in bringing him out of the water, starting up a business, curing his “rages,” and having him fight for environmental causes.
The New Warriors by Fabian Nicieza and Mark Bagley (1990-1992)
Man, did I love these stories! They’re pretty dated now—they’re very 1990s, and the dialogue is… well, it’s tough to read sometimes. But the 25 issues by Nicieza and Bagley are super-fun, they did a solid job capturing what it must be like to be a late teen with super-powers, and they dealt with some very real consequences too; the story where Marvel Boy loses control of his powers and mortally injures his abusive father is—while very comic-booky—still very affecting.
Fantastic Four by Tom DeFalco and Paul Ryan (1991-1996)
I’ll admit I haven’t re-read these issues since they came out. So I have no idea if they hold up. But, I was not a fan of Walt Simonson’s run on the title (that preceded the DeFalco-Ryan run) or the end of Steve Englehart’s run (that preceded Simonson) so DeFalco’s back to the basics approach, alongside Ryan’s solid, workmanlike illustration, was just what I needed. (Also, their first issue featured the aforementioned New Warriors. So that was a good start!) Sure, they did some of the most 1990s things ever—they had the Human Torch lose his mind, had Wolverine slice up the Thing’s face, put Sue in a skimpy costume and “killed” Reed—but I remember eagerly awaiting each next issue to see what was going to happen!
Avengers by Bob Harras and Steve Epting (1991-1994)
Ah, the forgotten era of Avengers! This run is, again, pretty 1990s—it’s got fancy foil covers, the Avengers started wearing jackets with straps and pockets all over them—but it’s entertaining and enjoyable. The highlight is the “Gatherers” story, that runs for about 2.5 years; it actually starts right before the most 1990s Avengers crossover ever, Galactic Storm. In Avengers #343-344, the Swordsman seemingly comes back from the dead, clamouring for revenge. But all is not as it seems; as the story unfolds (on and off) over the next 30 issues of Avengers, we learn Swordsman’s from an alternate dimension, where the Avengers—specifically, Sersi—destroyed the world. And he’s got friends too – alternate dimension versions of various Avengers – and they’re led by the mysterious Proctor. Maybe this doesn’t quite reach the pantheon of great Avengers stories, but it’s well worth a read and I look forward to it finally being collected, one day!
Thunderbolts by Kurt Busiek, Fabian Nicieza and Mark Bagley (1997-2001)
This series… I mean, it’s been 20 years and I still can’t believe that they managed to keep the ending of the first issue a secret! Everyone knows the gig by now, about how the newest super-hero team, The Thunderbolts, turned out to be villains in disguise. And about how Marvel eventually took the series away and ran in a different direction—twice. But those first 50 issues, plus Avengers cross-overs and annuals, are excellent. They’re straight-up page turners, and you never know what’s going to happen next. And the characters ring completely true, in how acting the hero changes each of them over time.
A few honorable mentions: Mark Gruenwald’s Captain America run; David Michelinie’s Amazing Spider-Man run (this was hard to leave off the list); and Kurt Busiek’s Untold Tales of Spider-Man, which, truthfully, might be the best comic on this list, but was so hard to find in the 1990s thanks to its minuscule print runs, that I didn’t actually read most of it until the omnibus came out a few years ago.
Anywho, that’s 1990s Marvel Comics for you. I didn’t read much DC in those days, so that would be a much shorter list! Pretty much just Ron Marz’ Green Lantern, starring Kyle Rayner, and Grant Morrison’s JLA. Tough times for DC in the 90s!
Continuing my Fantastic Four Fridays, I’ve decided to (try to!) go back and actually read the entire Fantastic Four run (of volume 1, anyway) from the beginning. I have no idea if I’ll actually complete this—I know slogging through the 100s will be tough—or how long it’ll take, even if I do finish it! But let’s give it a shot. I’ll be reading this in the Masterworks format, so let’s start at the beginning…
What is it? Fantastic Four Masterworks Volume 1 Who did it? Stan Lee and Jack Kirby When did it come out? 2003 (revised edition) What does it collect? The Fantastic Four #1-10 (1961-1962)
The characters are fully formed right from the start
Sure, they’re fairly thin in the first couple issues; Johnny’s the hothead, the Thing is angry, Reed is steady, Sue is the mom, etc. But they’re consistent throughout these 10 issues. Reed and Johnny would be immediately recognizable today. Sue has obviously evolved significantly as society has become more egalitarian; in these early issues, she’s often little more than a hostage. But I’d say it’s The Thing that is the most different; for one thing, no one calls him Ben when he’s in his orange, rocky form; the rest of the team refers to each other by their first names regularly, but Ben is only ever The Thing. Which I found so… odd? Cold? Dehumanizing? And he’s just grumpy all the time—understandably so, given his situation, but he is definitely not the lovable Ben Grimm he would grow into. And yet, even so, the introduction of Alicia Masters in issue #8 sets him immediately apart from the rest of the team, as he’s actually the first team member to have some semblance of life outside the team.
The complexity of Alicia Masters is incredibly impressive
Alicia is by far the most unusual and unique recurring character introduced here. The complex relationship with her stepfather, the Puppet Master, is unusual for the time, as is, obviously her relationship with The Thing. And the fact that she’s blind is one of those strokes of pure brilliance; you’re left to wonder if she only loves the Thing because she’s blind and can’t see his hideous face, or if she loves him because her blindness allows her to see through his exterior to the person inside. (Also, make note of her “Is it you… you’re different…” comment when The Thing turns back into Ben Grimm… followed by her “Oh, it is you, the same wonderful man” as soon as he turns back into The Thing. John Byrne would pick up on this moment, tragically, years later.) And the relationship blossoms immediately; she first appears in issue #8, and then Ben is seen spending time with her in each of the next two issues.
These issues are relatively crude by the standards Stan and Jack would go on to set
That’s not to say there aren’t standout issues and brilliant ideas to be found. I mentioned Alicia’s appearance in issue #8. Returning Namor, the Sub-Mariner to prominence in issue #4 was another stroke of genius; notable here were both his “villain but not really” status, as well as the romantic was the dynamic introduced between him and Sue, and Reed as well. In issue #6 we get the first “super-villain team up” as Dr. Doom and Namor launch the Baxter Building into space; here, we get an even better since of who Namor really is when he realizes Doom is a true villain. In issue #2, shapeshifting alien Skrulls were petty cool on their own, but this issue stands out by showing us the first “world hates and fears superheroes” story, a staple that Stan and Jack would go back to again and again (Spider-Man, Hulk, X-Men). And how about the Fantastic Four living in New York City, rather than a made-up locale, as established in issue #3? And going broke in issue #9? All brilliant ideas. But all of that said: There’s a sort of goofiness in some of the plots (Blackbeard?) and Kirby’s art is nowhere near as refined as it would soon become.
Dr. Doom and the Sub-Mariner obviously made quite an impression
Namor appears in issue 4; Dr. Doom first appears in issue #5. They team up in issue #6. Namor returns in issue #9, and Doom returns in issue #10. In other words, they’re the antagonists in half of these issues! Stan and Jack may have been winging it, but they clearly knew when something they created struck a nerve. It’s also interesting to note just how steeped these early issues are in the monster-comic era; the FF fight giant monsters in issue 1, 3, 4 and 9, and monstrous aliens in issue 2 and 7.
Dr. Doom’s first appearance is a bit… underwhelming
There are hints of the Dr. Doom we’d come to fear and respect in his debut issue: his college connection with Reed, his robot double, his ostentatious castle, his obsession with black magic and desire for the mystical gems of Merlin (found, oddly, in Blackbeard’s treasure chest). (I’m also a big fan of his tiger enforcer/sidekick!) But you gotta wonder: he’s smart enough to develop a working time machine and this is best plan he can come up with? I dunno man. And Reed, Ben and Johnny’s trip to the past is completely hokey, as is Reed’s “we’ll just bring back an empty chest!” trick. (Next issue, his plan to launch the Baxter Building into space is much more Doom-like.) I will give this issue credit for this, though; the Thing wants to stay behind in the past because he’s feared and respected in his make-believe role as Blackbeard. He eventually realizes his error, but note how, just three issues later, Stan and Jack give him a reason to alter his viewpoint: Alicia.
I can’t imagine what it must have been like to read these comics in 1961. There are a ton of bold new ideas here, and refinements of older concepts, that had never been seen before. And for the most part they still hold up as fun, entertaining comics today!
This is three Fridays in a row blogging about The Fantastic Four. I might have to start calling these Fantastic Four Fridays! Today I wanted to take a look through my collection and share a few memories about actual issues that I’ve bought. My previous posts were about why I enjoy the Fantastic Four, and my history of reading Fantastic Four comics… today it’s about collecting them.
The three issues of the “Galactus Trilogy” are the most important in my entire collection
Featuring the first appearances of Galactus and the Silver Surfer, you can’t go wrong with Fantastic Four #48-50. I acquired #49 first, around 1990, at 1,000,000 Comix at South Common Mall in Mississauga. It was $19; that was definitely a couple of weeks worth of allowance, and (by far) the most I’d ever paid for a comic at the time, but even in its pretty beat up condition, I felt (still do!) it was a bargain. I remember seeing it up on the wall, behind the counter, and thinking, wow, I gotta get that! And just hoping it would still be there when I’d saved enough to get it. Thankfully it was. #50 was a 16th birthday present from my friend Ali, without a doubt a very thoughtful and considerate gift. Ali was not a huge comic book reader so I have no idea how he knew how much I coveted these silver age FFs or how he knew I needed this one, or if he knew how important this issue was… and I am certain it wasn’t cheap. By condition alone he definitely paid more than the $19 I paid for #49. Thanks Ali!
Fantastic Four #48 was my “holy grail” for many years
I acquired #48 many years after #49 and #50 – in 2004 to be exact, at FanExpo in Toronto, on the Sunday. Every year at FanExpo I looked for an affordable copy; I could never find one that I felt was the right price for the condition. In 2004 I’d decided I wasn’t going to do FanExpo again as the crowds and general mismanagement of the event had exasperated me for the last time, so on the Sunday I said if this is it, I’d better get my copy of FF #48 now. The vendor was selling this for $130. I tried to talk him down to $100 as that was my (self-imposed) limit; I got him down to $110 and he wouldn’t budge further, so, close enough! I very much felt like I’d acquired the holy grail. The first appearance of The Silver Surfer! And Galactus! And it was mine at last: The “Galactus Trilogy” complete.
Fantastic Four #15 remains the oldest comic book I own…
…but I’m not sure it counts because it’s missing pages. If my memory serves me right, I bought this one at the Toronto Comics and Sequential Art show in 1991. It was clearly in rough shape—I wouldn’t have been able to afford it otherwise—but I didn’t realize it was missing pages until I got home of course. Incredible bummer. And shitty to have to think about replacing it one day, ‘cause it ain’t gonna be cheap! (If you don’t want to count FF #15, as my oldest FF, then the honor goes to FF #22, another one-time birthday gift from Ali!)
Collecting today isn’t quite the same as it was 25 years ago
Before the internet, and before the days of collected editions, back issues were the only way to read these stories. So if you were missing an issue—like, say, issue #85, the second part of the Doctor Doom story from issues #84-87, you had no alternative way of catching up other than hoping you found the issue at a local comic shop. (That story, where the FF “invade” Doom’s home country of Latveria, remains one of my all-time favorite. I acquired #84, #86, and #87 early on, but it took me years to get #85 and get the full scoop on Dr. Doom’s killer robots!). I would guess about half of my Fantastic Four collection came from me spending my weekly allowance at 1,000,000 Comix; the other half comes from the various other local shops (Grey Legion at Square One mall; Grey Region/3rd Quadrant on Queen Street and Yonge Street; Altered States in Clarkson; Dragon Lady on Queen; and of course, the Silver Snail) and then the local conventions. You never knew what you might find, in what condition, for what price. Nowadays it’s much easier to search eBay or one of the online sellers to find what you need. And even the local shops have a social media presence that can give you a heads-up when back issues come in!
Although I’m down on Facebook, I wouldn’t be writing this post without it
I follow the comic shop closest to me, Paradise Comics, on Facebook. When they acquired a massive collection of Silver Age books over the summer, they shared photos of it on Facebook; that’s what renewed my interest in my own Fantastic Four collection and brought this wave of FF nostalgia forward. A few weeks later they posted about their back to school sale, and that’s what made me go visit them and buy a few of those old FFs! I bought about 20 issues, most notably Annual #1 (July 1963, which now that I think about it is actually older than the aforementioned #22). Now that I had the bug, and the gaps on the checklist were getting smaller, I set out to find a few more issues online, and bought about 20 more, including the first appearances of Ronan the Accuser and Warlock, from issues #65-67, which I’ve long worried would be out of my price range, for a decent price. I did have to pay more than I would have liked for issue #112 (July 1971), which features a Hulk vs. Thing fight and always seems to go for premium prices. All told though – I now have every issue from #31 (October 1964) through to the end of volume 1, including every annual and Giant-Size special.
That means that I only need to acquire 28 issues of Fantastic Four to have a complete run (well, and aother copy of #15)—. Of course, they’re the most difficult to find and most expensive issues. Paradise had a copy of issue #1, in poor condition, for $5,000. I spend a lot of money on books and comics and toys, but spending that much on one thing… I can’t even imagine. But maybe one day!!
I can’t remember the first Fantastic Four comic I ever read.
It was either issue #287 or #260. 287 seems somewhat more likely based on the timeline, as it came out in late 1985 (when I was well into reading comics thanks to G.I. Joe and The Transformers); 260 came out earlier (mid-1983), before I was really into comics full-bore, but then that might mean it was more likely to have been in a “blister pack” on the shelf at Toys “R” Us with other comics in 1985… either way, it’s 260 that stuck with me, because it has such an awesome fight scene between The Thing, the Human Torch and Tyros, plus appearances by Dr. Doom and The Sliver Surfer. Even Namor the Sub-Mariner shows up at the end! It was overload for my young senses, and I wanted more. (I’m certain the copy of #287 I have is the same, but I feel like I may have replaced #260 at some point—I remember that copy being really beat up.)
It was “The Secret Story” that really hooked me.
The thing that really cemented my love of the FF was a book called The Fantastic Four: The Secret Story of Marvel’s Cosmic Quartet, by David Kraft. Published in 1981 by something called Ideals Published Corp, I spotted this at the Erin Mills branch of the Mississauga Public Library in 1986 and checked out approximately 137 times over the next 2-3 years. It featured a reprint of the first half of issue #1 (the FF origin), the Inhumans story from #83 (these two stories representing my first exposure to Jack Kirby’s art) and the FF fighting evil doppelgängers of themselves from issue #203. #83, like #260, is an action-packed issue that I couldn’t get enough of. More importantly though, the book had text pieces on all the main characters, supporting characters and villains, so I was able to learn about the FF and their friends without reading 300 back issues. I recently snagged a copy of this book and it was quite the trip down memory lane!
My monthly collecting began with Ben Grimm’s “New” Fantastic Four.
The first new FF comic I bought fresh off the newsstand was issue #305 in mid-1987 (still have it!). This would have been at Smoker’s Corner in South Common Mall in Mississauga, the best place to buy comics in my ‘hood; issues #306-308 followed and then an actual comic shop, 1,000,000 Comix, opened up in the same mall. I continued reading The Fantastic Four through the end of Volume 1 (#416), through the Heroes Reborn and Heroes Return era… until Volume 3 issue #19 (July 1999), when I gave up because I didn’t enjoy Chris Claremont’s writing on the book. I came back with the new writers (Jeph Loeb and Carlos Pacheco) at issue #35 (November 2000), and then stuck with the title through the end of Civil War (mid-2007) before I stopped reading monthly comics altogether. (The completionist in me is screaming to get those Claremont issues and fill that hole…!)
When did I first read the “real” FF?
It’s funny looking back on it, but those early FF issues I read never really featured the full team. Mr. Fantastic was missing in issue #260; the She-Hulk has replaced the Thing in #287; and in #305, Ben is putting together a new team, with Crystal and Ms. Marvel replacing the departing Mr. Fantastic and Invisible Woman, and that’s the team that I read for the next couple years. It was in back issues that I read the “classic” FF.
I became an early “Byrne victim”.
When it came to back issues, my main focus at first was filling in the gaps around issue #260—I wanted to know how that fight started, where Mr. Fantastic was, how the cliffhanger with Namor was resolved (it was years before I read that one, as it was an Alpha Flight crossover). I soon realized that John Byrne was the creative force behind those particular issues, and made it a point to seek out anything with his art in it. Meanwhile the first “vintage” FF back issue I ever bought was issue #106, from 1,000,000 Comix, for I think $2.75. I still have it of course. Other Silver Age FFs followed, and so began my quest to read every issue of FF ever published. There were only 350 or so at the time including annuals, so it seemed possible!
Of course, with the advent of collected editions, reading every issue became much easier, and at this point, I have indeed read every issue of The Fantastic Four (volume 1). Collecting them all remains a challenge, of course, at least budget-wise; I’m still 28 issues away from having a complete run of originals… but more on that another time.
A couple months back, the comic shop up the street from me put a large selection of silver age (1961-1970) Marvel comics up for sale, including a large number of Fantastic Four issues from that era. I became quite nostalgic as Fantastic Four was my favorite comic as a kid, and the title whose back issues I sought out the most. My goal was to one day own every issue of Fantastic Four! Seeing those old FFs at the shop brought back memories of the days of hunting down back issues at shops and comic cons, so I pulled out my old, hand-made checklist and thought, “why not?” And off hunting I went!
More on the outcome of that hunt later, but ever since, I’ve had the FF on my mind. Why has Fantastic Four been my favorite comic for 30 years? A few thoughts…
The Fantastic Four—scientist Reed Richards, his fiancee Sue Storm and her kid brother Johnny, and Reed’s best friend Ben Grimm, are a family, not just a random collection of super-heroes. They have interpersonal conflicts whose roots extend well beyond the first issue of their comic, where they got their powers; they have a shared history. None of them have adventures in solo titles, with the odd exception, and even then, not very successfully—they work best when they’re together.
Their shared goal isn’t to defend the weak or innocent, or to stop criminals or threats other heroes can’t handle—it’s “to help mankind.” Much loftier than your usual super-hero!
In fact they’re not even really traditional super-heroes; they’re explorers, adventurers. Or as Mark Waid dubbed them, “imaginauts”—the places they explore and things they discover are only limited by the writers’ imaginations. They also don’t have secret identities, which, nowadays isn’t that unique, but in 1961 and when I discovered them in the ‘80s, was definitely unusual.
Because they’re not traditional super-heroes, their stories have a much more science fiction-y flavor to them than action adventure. They make contact with alien races, travel through time, discover new universes and dimensions, invent new technologies and devices. Their headquarters and vehicles are like something out of Star Trek.
They live “real lives” – again, all comics do this now, but it used to be a big deal that the FF lived in New York City, that Reed and Sue got engaged, married, and had a kid and then a miscarriage and finally a second kid, that Johnny had his heart broken by Crystal and that Alicia Masters left Ben (for Johnny!). The status quo changed, often, in the first 100 issues or so—less so, after, as the demands of serialized storytelling over decades took its toll, but still. You felt this family growing older (slowly!) together.
People cite the reasons above and others when talking about what makes the Fantastic Four distinct from other super-hero teams, and while they’re all true to an extent, it’s really the combination of them all together that makes them work; the whole is greater than the sum and all of that.
I have many more thoughts on the FF rattling around my head these days—more to come!