This week’s five things are highly movie-inspired, as I share articles on two of my all time favourites—or is it three of my all-time favourites?—plus the latest on the Marvel Universe. I also share some advice on an important soft skill, and one beautiful story of a Holocaust survivor, which—for obvious reasons—is an important story to share right now as we wind down 2017.
Shea Serrano, The Ringer
Good Will Hunting is one of the my favourite movies. Shea Serrano is one of my favourite writers. There was no doubt this was making the list this week! Shea nails the truth of Good Will Hunting here: For all of the things that we remember about the film that make it memorable and enjoyable, it’s the little things between the lines that make it a classic. I love “Here’s ya fuckin’ double burger” sooo much. But Shea missed a couple: Billy’s “That’s a good takedown” when Will and Chuckie are wrestling at the batting cages; and Morgan’s Brando-inspired “I swallowed a bug” as he extricates himself from the scene when Skylar finally approaches Will at the bar.
A quote: ”The way Will leans in to propose a fight with Clark. That’s how you know he was serious about fighting. If Will wanted to just show out for the girls, then he’d have been really loud and blustery so everyone could see and hear the confrontation. He wasn’t, though, which is why you see Clark get filled with fear so quickly. As soon as Will lowered his voice and proposed stepping outside, Clark was like, “Oh fuck, this guy really wants to fight.””
Joanna Robinson, Vanity Fair
Speaking of things in my wheelhouse, here’s the great Joanna Robinson with a great “state of the union” of the Marvel Cinematic Universe and a look inside exec producer/architect Kevin Feige’s head. It’s a little light on actual “secrets,” of course—Marvel and Disney guard those details as if they were actual infinity stones—but it’s still a fun read, and the photos of everyone in costume are brilliantly outrageous.
A quote: ”One day on set (of Fox’s X-Men, 2000), (Lauren) Shuler Donner and Avi Arad, then head of Marvel Studios, watched as an exasperated stylist, at Feige’s insistence, sprayed and teased actor Hugh Jackman’s hair higher and higher to create the hairstyle that would become the signature look of the character Wolverine. The stylist “eventually went ‘Fine!’ and did a ridiculous version,” Feige recalls. “If you go back and look at it,” he admits, “he’s got big-ass hair in that first movie. But that’s Wolverine!” The experience stuck with Feige.”
Tim Grierson and Will Leitch, SyFy
I am a big fan of Tim Grierson and Will Leitch’s movie reviews (and also, possibly, their podcast, of which I’ve saved every episode but have not yet found time to listen to). Here they tackle the age-old debate: What’s the best Star Wars film? For most of my life I’ve leaned slightly towards Star Wars, because even though Empire is, technically speaking, a better film, how can you top the original? But this article makes the case for Empire, all while neglecting to mention one thing: The music. And as much as I love Luke’s theme, and as memorable as the Star Wars fanfare is, Empire contains the one piece of music that may in fact be more famous than the Star Wars fanfare: the Imperial March (Darth Vader’s theme). It’s also got Yoda’s music and Han and Leia’s theme (used to great effect in The Force Awakens trailer). So yeah. With that in mind, I think I’m giving Empire the slight nod. For now.
A quote: ”Empire is enhanced by Lucas settling into his more comfortable position as producer and overseer, hiring Oscar-nominated filmmaker Lawrence Kasdan to work on the screenplay, and bringing in director Irvin Kershner and cinematographer Peter Suschitzky to give the sequel a more layered, somber tone. Also, Empire introduced some of the franchise’s best characters, including Lando Calrissian, Boba Fett, and Yoda, who’s the movie’s spiritual center”
Matan Rochlitz, The New York Times
This is the story of Klara, a Holocaust survivor from Belgium; specifically, her escape from a train taking her to a concentration camp, and who she had to leave behind on that train. And of a message that she receives many years later. It’s more important than ever to pay attention to and share these stories like this right now, of course, since Nazis are all but running the United States, but even setting that insanity aside, it’s just a lovely story and it’s beautifully presented. Here’s Rochlitz with some more detail behind the story.
A quote: ”You know what those cattle wagons are like? There’s a little window, like this. I put my legs through and turned around and I slid between the two wagons. The train kept going and going. It was very difficult because the SS would shoot at us. I waited a moment. Then I put my hands up to protect my head. And then I jumped from the train.”
Wanda Thibodeaux, Inc.com
Most of the time, when someone’s talking to us, we’re listening—but only so that we can respond. We’re focused on what we’re going to say next, not what the other person is saying. And that sucks. But active listening is a skill that takes time to master. There are some good tips here to help. (Just try and ignore the typo in the first sentence…)
A quote: ”Formulate your answer only after the other person has finished talking. Embrace the silence that happens as you think. Your partner isn’t going to care about the pause if you give a thoughtful answer that demonstrates respect.”
That’s all for this week! Come back next Wednesday for another five things.
PS I’ve changed my mind already. I still like Star Wars more.